Work/Life

Inspired by Stylist Magazine's Work/Life column, Anna and Emily give you an insight into what it's like to run Starling Arts...

Emily

I usually wake up when my fiancé Dan leaves for the day, which can be anytime between 6 and 8am. I’m partial to a long snooze, so it takes me a while to coax myself to actually get up for a very hot shower. I then start the day with a smoothie and bowl of cereal, whilst checking work emails and catching up with the news on my phone. 

My home office is in my second bedroom, where I switch on and deal with any enquiries. This can take anything from a couple of minutes to several hours! Both Anna and I look after the main Starling Arts inbox and either one of us might reply to an email.

Once I’ve cleared the backlog, I’ll focus on an ever diverse task list, which might include finding a venue for an event, updating our website and social media, planning workshops we’re delivering (my favourite home-based task), and seeking new opportunities. During show terms, I’ll also be busy creating choreography for our choirs (which I do in my kitchen!), as well as planning and producing show logistics. Anna is always at the other end of Skype, and we run various decisions or questions by one another throughout the day. 

One of my favourite things about working from home is cooking a proper meal for lunch (or reheating leftovers). I try to get out of ‘the office’, and switch off by sitting on the balcony, going for a stroll round the block or watching an episode of 'Masterchef' on iPlayer. I often use my lunch hour to do some ‘wedmin’ (wedding admin!) ahead of getting married next year, or brush up on my Hebrew homework, as I’m currently learning the language! I might also try and fit in 10 minutes of yoga while the oven is heating up…

Our afternoons might be spent running a workshop with a choir, office or school, and could take us anywhere in London or further afield! I love the challenge of working in different environments, and responding to the needs, levels of singing experience and attitudes to singing. My favourite participants throw themselves in to whatever challenges we set them - those ‘up for it’ types seem to get the most out of what we offer. For me, nothing equals the thrill of working with a group to achieve something through music and performance - whether that be the joy of singing a complex harmony for the first time, or the delight in nailing a new dance step. 

Three evenings a week we run our own choirs - Forte, Corvida and The Starling Singers. I usually meet Anna in advance to plan the session, share any creative ideas, and talk about any other outstanding work - over a thrown-together dinner! 

Choir sessions can start at 8.30pm and last two hours. After registering everyone and taking any payments, we run physical and vocal warm ups before tackling the current repertoire, which ranges from Mumford and Sons to the musical Wicked! Learning new parts takes a while, and in the run up to a show, I’ll put performers in stage positions, offer direction, dance tuition and performance technique. My fiancé joined one of the choirs a few years a ago, and the bonus is that I get to see him for an evening that I’d otherwise be out of the house for. Two hours go very quickly, and I leave just after 10.30pm, buzzing. 

On the train home across London I write and edit the script I’m writing for our new musical Return To Aesop, which currently fills some of my spare time. I love the creative challenge of putting our original story on the stage, and I’m excited to see the show performed by 45 young people in August this year. I get home at 11.30pm and I find it hard to switch off - singing often leaves me on such a high that I’m often tempted to lie awake for hours dreaming of new song ideas. Luckily, I’m usually asleep within 5 minutes of closing my eyes.

Plan B.

An indulgent combination of my love of the written word and discovering new places, I’d always had a secret dream to travel the world and write about it. I have several diaries crammed with tales from overseas adventures, but travelling can be a lonely pastime and I’m a home bird at heart. I still love discovering new places and people, and Starling gives me that (and so much more), so I’m lucky to call it my Plan A!

Anna

Unless we have an early workshop at a school, I'm usually awake by 8.30am. I go for a run every other morning, and breakfast is always a bowl of cereal, orange juice and a cup of tea, and then it's off work in my home office wearing jeans, a strap top and slippers.

Aside from running our three show choirs, no week is ever the same for Emily and me. We could be leading a singing workshop in a school or business, meeting with a venue to discuss an upcoming show, or working on our latest musical, so it makes for a varied week with no day ever being the same, which is just how I like it!

A good chunk of my working week is taken up with arranging music for one of our choirs or a workshop. Depending on its complexity, a choral arrangement can take me anything from 2 - 10 hours to work on. Added to that, I'll spend a good couple of hours recording rehearsal tracks for all our repertoire so that our singers can practice their parts at home.  In addition to writing the vocal and piano parts, I'll also write music for bass, drums and some other instruments so that the songs really fly in concert! I love creating new arrangements and re-imagining well known pop and show tunes, and can't wait to try them out in rehearsal.

If we're not working together, Emily and I will speak on Skype throughout the day, dividing the admin side of the business between us. With over 70 singers to keep tabs on, 45 children enrolled on our Summer School, and our bespoke projects and workshops, there are quite a few emails, spreadsheets and planning documents flying to and fro. The two of us also look after our marketing, website and social media. Part of my degree was in film making, so I particularly enjoy putting these skills to use editing videos for our popular YouTube channel.

On my evenings off and at weekends, I try to catch up with friends, run a little walking group exploring all that London has to offer, and attend as much theatre as I can. However, on Tuesday, Wednesday and Thursday evenings, I'll leave the house after a day at my desk or the piano, and head out for choir practice, grabbing a bagel or pasta salad to eat with Emily while we plan rehearsal. It's a physical job conducting and playing piano for 2 hours, so I'll try to eat some fruit (but more likely cake...) to keep my energy up 'til we finish rehearsing.

Leading a rehearsal of any kind is when I'm happiest. I love hearing harmonies come together and people connecting through music. The community spirit felt at Starling Arts is the icing on the musical cake for me - it's lovely that so many of our singers have become great friends both in and out of Starling, and that our community is constantly growing.

When I get home from rehearsals, I'm usually buzzing from the natural high of it all, so I'll have a cup of decaf tea, watch something like 'Suits' on Netflix and head to bed by 1am.

Plan B. 

I’m lucky that Starling Arts is an amalgamation of all my dream jobs, but when I was younger I desperately wanted to be a Blue Peter presenter. The idea of getting paid to travel, do extreme sports, meet inspiring people and make Tracy Island out of old loo rolls really appealed to me. I do have a Blue Peter badge, so that's something...

What's a Show Choir?

When I’m asked what I do and I respond, “I run Show Choirs”, there usually follows a brief period of silence. 

“What’s a... Show Choir?” 

This happens all the time. 

I can’t just say choir because when I say the word choir, you automatically think of a line of serious people sat in chairs singing from behind hymn sheets. You can’t help it. Choirs sing religious music or large scale, traditional choral works, don’t they? Choirs only sing pop music if they’re joking:

Of course, a choir of grannies singing Eminem is hilarious, as The Worst Choir Ever's millions of views proves

Perhaps the use of the adjective ‘Show’ is confusing? Other things prefixed by ‘Show’ lead us in the wrong direction: perhaps you imagine a Show Home, false and temporary. Maybe you think of a Show Dog entered into Crufts, (complete with matching owner). Even worse is your projected image of a Show Girl - hairsprayed, sequined and feathered.

Show Dogs. A misleading title.

Show Dogs. A misleading title.

All of these ‘Show’ things smack of appearance over substance and I’d hate for that to be your understanding of a Show Choir. Our own Starling Arts Choirs don't enter competitions, but sing for good, old fashioned, wholesome fun. 

“Have you seen Glee?” 

That works sometimes too. 

You see, Glee Clubs are really, really old and British. The first named Glee Club was founded in London’s Harrow School, in 1787. A ‘glee’ is an English category of song, which was usually written for small groups and often intended to be sung unaccompanied. Let's consult an expert: our good friend Wikipedia describes a modern Show Choir as “a group of people who combine choral singing with dance, sometimes within the context of a specific idea or story.”

If you’ve seen the American hit series Glee, you’ll know that there’s a song for every emotion faced by a pubescent teen. What better way to process your first unrequited love than by singing an acoustic arrangement of a One Direction song?

Like the cast of Glee, we take a song and make it lively. Sing it without music, add a dance move or two to communicate storytelling meaning, and most of all, we sing it like we mean it. 

Something active happens in a Show Choir that is hard to match else where. I'm going to put it out there that Show Choirs are cool. Sociable yet self indulgent, relaxing yet invigorating.

If you've read any of our previous blogs, or ever seen us in action, you'll know that our very favourite thing is singing in a fun way with groups of people. We have three weekly Show Choirs, but we replicate Show Choir techniques with all sorts of groups - businesses, schools, arts organisations and community groups. The main thing, after all of that, is that we all have fun.

But I can't use that as a reply... can I?

What's a show choir? A place where we have lots of fun.  

- Emily

Click to find out more about Starling Arts' choirs, or get in touch at info@starlingarts.com

A Very Starling Spring

2014 is an exciting one for Starling Arts! Here's a little of what we're planning for the spring.

Performances

It's our favourite choir season of year: 'show term'. For those not familiar with the phrase, our three choirs are working up to a big performance, meaning rehearsals are buzzy, with harmonies, lyrics and dance routines to perfect (and of course, much fun to be had!)

Our venue this time is the lovely Wathen Hall, part of St Paul's School near Hammersmith. The concert hall is famed for its acoustics, and we're really looking forward to performing at this river-side venue! We're performing twice across the weekend of 22nd and 23rd March, to give our audiences a chance to join us in celebration of the choir's achievements from the last year. We hope you can join us too! 

The concert is called Anthology, alluding to the fact that, as always, our repertoire is varied with a 'something for everyone' set-list, comprised of our favourite music across a set of popular genres. Every song is presented through imaginative arrangements and performance settings, and our 70 singers are working on wowing you with their vocal prowess. 

Put the date in your diary now - tickets will be on sale from this website soon. 

Anthology 

22nd and 23rd March 2014

Masterclasses

Lots of our members and audiences don't realise that we're busy replicating what we do with our regular choirs in other settings. This spring, we'll be busy running singing and performance masterclasses in a range of schools, community groups and business across London. Our favourite part of working with new groups is seeing how powerful music can be in helping people bond. An hour spent singing seems to acquaint people in ways that years in the same classroom or office can't do!

We are always looking for new ways to sing with groups. If you have an idea we can help you with, get in touch at info@starlingarts.com

A Singing Resolution for 2014?

Ring out the old, bring in the new: 2014 is just around the corner.

Are you plotting any New Year's Resolutions? Do you wish for any of these? 

By joining a Starling Arts Choir this January, you might find you do all of the above and more!

Don't just take our word for it - here are a handful of testimonials from our singers:

We have spaces for new members in each of our three choirs.

Check out our choirs and get in touch at info@starlingarts.com to attend a no obligation taster session. 

We look forward to hearing from you and wish you a happy, healthy 2014! 

That was the year that was...

On Monday evening we hosted the Starling Arts Winter Party. An opportunity to celebrate all that we've done in 2013, the party featured performances from our three choirs, entertainment and a raffle that raised vital funds for the Save the Children Syria Appeal. 

We've put together a short video montage of some of Starling Arts' 2013 highlights, many of which we celebrated on Monday evening. We hope you enjoy!

- Anna & Emily

The Choir

Dear reader, I have a problem. 

I want to love the new series of The Choir, but I can’t see beyond the formulaic editing of the programme. It frustrates me because as a choir director and arranger, I want to sing the praises of a show that highlights why singing in a choir matters, but instead I feel like a scathing critic knocking down my own craft...

When Gareth Malone first appeared on the BBC I was a number one fan and have remained a dedicated viewer throughout The Choir’s various manifestations, but this second ‘go’ at workplace choirs seems overdone as a TV format and all too predictable as a result. 

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